Introduction: Make out Line Ordinal2 Part 2: Sympathetic Approach

As always, we will first analyze the line and and so you will bet a serial of self evaluating exercises viewing the lick from different perspectives. You can but get on to the next example erst the current one has been mastered in altogether twelve keys. I suggest observation Section One of this instructable first, where we introduce the seam and concepts on how to cogitate intervalically.

Ah, one Thomas More thing…. Assume try on playing licks when you are improvising. Countenance you ears guide you. Comprise in the moment. The concepts you practice should and will surface naturally once they've become part of your vocabulary.

Alright let's get started.
So, in this part we are exit to use a harmonic perspective considering chords and harmonise-scales

This line is supported the altered scale. Sol, lets look at the scale.The edited scale is the 7th mode of the melodic underage And then the C altered scale share all the notes with the Db musical minor.

Since the pedigree we are performin is restrained in the C altered scale it is a upright approach to think of the songlike minor a semitone above the base of our dominant chord

So here's our first challenge.
Play the root of your dominant harmonise and then a half step above. (C in red and in F in blue sky)

We bequeath comprise using a dominant physical exertion with the V7s from the minor mode in Mapping Tonal Harmony Pro with 1 bar per chord which goes around the Circle of Fifths.

Try to accompany with the piano player in our demo

Footfall 1: Challenge 2

Indeed, how did you fare?
OK. Thusly, we've seen how the C unsexed scurf is the DB melodic minor which is also C#

Now if we view these last notes on the line from a Db melodic minor point of eyeshot we get 1 2 b3 and 5.

So here's your next challenge.

We bet the 1 as reference then go a 1/2 step higher up and think about the dulcet minor over that note. So, with the newborn stem in mind we play 1 2 b3 5.

Remember it is a half step above our chord root So here IT is in C and here in F

Wager this line in all 12 keys around the Circle of Fifths.

Step 2: Dispute 3

OK. The previous notation in our line is the b2 or b9 again which is our root a half maltreat above.

So, Here's your last dispute

We are just adding the root of the melodic minor and resolution hindmost a semitone down to the 1 of our original root for reference. Thusly, we are playing the root of our dominant going astir a incomplete step and then playing a 1 , 2 , b3, 5, 1 happening the new key. In C we meet C and and so in Db minor 1, 2, b3, 5, 1 then we go back to C.

Try to play along.

Step 3: Dispute 4

Great.

So utmost we've played lines that are non even just about our original only we've recitation looking at our original line as a minor chord a half step above our beginning with the 2 of that minor chord as a passing note.

The original lick is honourable that chord played backwards. Notice that information technology besides starts on the 2 of that chord. IT is 2 1 5 b3 2 1 on the minor chord a uncomplete stair higher up our original root so Db tiddler in C7alt

That's it!

We've analyzed and looked at the clobber from a harmonic & chord-scales position using and defining more concepts that are essential in the jazz language such as:

  • Castrated Scale As the 7th mode in the Melodic Minor
  • Target notes: the b9 or b2
  • Playing a fry chord with a passing tone 1 2 b3 5
  • Thinking of a different root and chord when improvising: The minor chord over the b9 for unsexed dominants

We are ready to play the entire work out. In the process, we've through with lots of ear grooming and clarified all those concepts.

Prove to play along.

Remember we are using a two blockade workout IIm7b5 V7#9 resolution to a I major7 modulating by senior thirds and so linking by 1/2 step If you execute not understand how these modulations were constructed please check part 1 where we explain the entire procession.

Remuneration attention to the starting fundamental. The track sounds a whole step bellow what's written. If you play a non-transposing instrument the data track starts with the lick in F7.

Besides do not bury to tab Part One where we take a deal the thrash from an intervalic standpoint

Don't blank out to check out Mapping Tonal Harmony Pro by mDecks Medicine. It is a great tool to study all these concepts and recitation improvisation victimization its play-along feature.

You can download the pianoforte sheet music in pdf for this lick present: Lick 2 Free Piano Sheet Medicine Download

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